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AMUSING OURSELVES TO DEATH

Steve Moser
Submitted by Don Stacey
Nov. 8, 2004

An important message that I just received that you may find interesting.

Don Stacey


All that was required of them was a primitive patriotism which could be appealed to whenever it was necessary to make them accept longer working hours or shorter rations. And even when they became discontented, as they sometimes did, their discontent led nowhere, because, being without general ideas, they could only focus it on petty specific grievances. The larger evils invariably escaped their notice. —George Orwell, 1984

TV MUTANTS

There have been many studies which suggest that television increases violence, increases tribalization, shortens attention span and lowers school performance among heavy viewers. But that is not my concern here. Instead, I am concerned that watching television instead of reading tends to degrade the minds of heavy viewers so that they can not think in abstractions such as "cause and effect." In other words, the 100 billion dollars spent on advertising each year, has simply burned abstract reasoning out of their minds.

Today with functional magnetic resonance imaging (FMRI) and positron emission tomography (PET), researchers catch brains in the very act of cogitating, feeling or remembering. The scans show that blood flow varies depending upon the type of activity the brain is occupied with. In other words, a child that grows up on a heavy diet of TV viewing has a physically altered brain. Once adulthood is reached, it is still possible to enhance brain function but it requires much more effort. Needless to say, it is naive to expect TV-mutants to "figure it out" anytime soon.

In AMUSING OURSELVES TO DEATH, Neil Postman provides a brilliant analysis of our TV-mutant society:

"We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we at least, had not been visited by Orwellian nightmares.

"But we had forgotten that alongside Orwell's dark vision, there was another—slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.

"What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny 'failed to take into account man's almost infinite appetite for distractions.' In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.

"This book is about the possibility that Huxley, not Orwell, was right." [p.p. vii-viii]

"From Erasmus in the sixteenth century to Elizabeth Eisenstein in the twentieth, almost every scholar who has grappled with the question of what reading does to one's habits of mind has concluded that the process encourages rationality; that the sequential, propositional character of the written word fosters what Walter Ong calls the "analytic management of knowledge." To engage the written word means to follow a line of thought, which requires considerable powers of classifying, inference-making and reasoning. It means to uncover lies, confusions, and overgeneralizations, to detect abuses of logic and common sense. It also means to weigh ideas, to compare and contrast assertions, to connect one generalization to another. To accomplish this, one must achieve a certain distance from the words themselves, which is, in fact, encouraged by the isolated and impersonal text. That is why a good reader does not cheer an apt sentence or pause to applaud and even inspired paragraph. Analytic thought is too busy for that, and too detached." [p. 51]

"I will try to demonstrate by concrete example that television's way of knowing is uncompromisingly hostile to typography's way of knowing; that television's conversations promote incoherence and triviality; that the phrase "serious television" is a contradiction in terms; and that television speaks in only one persistent voice—the voice of entertainment. Beyond that, I will try to demonstrate that to enter the great television conversation, one American cultural institution after another is learning to speak its terms. Television, in other words, is transforming our culture into one vast arena for show business. It is entirely possible, of course, that in the end we shall find that delightful, and decide we like it just fine. That is exactly what Aldous Huxley feared was coming, fifty years ago." [p. 80, Neil Postman, AMUSING OURSELVES TO DEATH; Penguin, 1985. ISBN 0-14-009438]

more at: http://www.dieoff.com/page22.htm

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